Face\Off Page #14
- R
- Year:
- 1997
- 138 min
- 1,778 Views
EXT. TRANSAMERICA-TWO BUILDING -- DAY
CASTOR'S eating up the attention of the REPORTERS.
REPORTER:
Commander Archer -- who
CASTOR:
That's classified. But
if he's listening I have
a message for him: Nice
try. Now you know who's
really in charge.
BACK TO ARCHER:
Totally enraged. And totally powerless.Then his eyes focus ... he watches closely as --
A GUARD uses his "Thumbprint ID" to get through the SECURITY
DOORS. Archer's eyes fall on the THUMBPRINT SCAN-PAD.
EXT. NSA COMPOUND -- CHECKPOINT -- DAY
As Castor presses his thumb into the scanner.
CASTOR:
How's the wife -- Ed?
ED:
(signals "gate up")
Fine, Commander.
Castor enters. Some workers nod, some give a "thumbs up,"
some smile -- but no one stops working. They know better
than to react, much less applaud.
CASTOR:
Don't you guys watch TV?
Where's the parade?
They look at each other -- afraid. But proud rookie LOOMIS
starts clapping, so everyone else joins in rousing applause.
CASTOR (cont'd)
-- Buzz, uh -- Wanda, Loomis
... all of you, thanks from
WANDA:
Stop the presses -- Jon Archer
found a personality ...
He grins and heads for his office.
INT. ARCHER'S RECEPTION AREA -- DAY
CASTOR enters to find MISS BREWSTER bent over the filing
cabinet. He watches her butt until she notices.
KIMBERLY:
Oh -- Commander. I
didn't see you ...
CASTOR:
Well, I saw you -- Kim.
KIMBERLY:
Kim?
CASTOR:
That's your name, isn't it?
KIMBERLY:
You always call me Miss Brewster.
CASTOR:
Let's try to be a little less
formal from now on, shall we?
He gives her a playful slap on her rump. She's stunned.
KIMBERLY:
You've got someone in
your office.
CASTOR:
Get rid of them.
KIMBERLY:
The Admiral?
INT. ARCHER'S OFFICE -- DAY
CASTOR enters to find LAZARRO ensconced on the sofa. She's
fixated by the repeat TV coverage of the bomb being diffused.
LAZARRO:
Look at you, Jon -- at your
age -- an American hero!
(a beat)
I'd buy you a drink but I
know you'd just turn me down.
CASTOR:
Normally, I would. But today ...
Castor opens a drawer and pulls out a bottle of Jamesons and
two high-ball glasses. He expertly pours two healthy shots.
CASTOR (cont'd)
To the future, Admiral.
Yours -- and mine.
LAZARRO:
(picks up a legal pad)
Practicing our executive
signature, are we?
CASTOR takes away the pad on which he has, indeed, been
practicing Archer's handwriting.
LAZARRO (cont'd)
If I didn't know any better,
I'd say you were finally
kissing my butt ... and I
bet I know why.
CASTOR:
You're the only person in
this place who can see
right through me.
LAZARRO:
You've made us look pretty
good in the past week. And
the way you handled the press --
CASTOR:
Just following your example.
LAZARRO:
D.C.'s very high on giving
you the promotion. There's
just one problem.
CASTOR:
What's that?
LAZARRO:
Me.
(a beat)
ability to stick with what
is essentially a desk job.
CASTOR:
I had doubts too. I always
looked at a desk as though
it were a ball-and-chain.
She nods -- waiting for the confession. He leans in.
CASTOR (cont'd)
I came back from a mission
and found strangers in my house.
Only they weren't strangers,
they were my wife and child.
(misty-eyed)
Five years my life was on hold.
While I chased the elusive, but
brilliant, Castor Troy. I've
earned the right to start living
again. So when I look at this --
(taps desk)
I don't see a ball-and-chain.
I see an anchor -- for me and
my family.
Castor waits as Lazarro lets the speech sink in. Then ...
LAZARRO:
You'd have to start
immediately.
CASTOR:
Done. In fact, I was
already plotting about
the best way to meet the
foreign bureau chiefs.
LAZARRO:
Jon, you're starting to
remind me -- of me.
(warm smile)
Congratulations.
LAZARRO exits. Castor eases himself into Archer's leather
chair -- he picks up a framed photo of Archer & family and
grins wide -- trying to ape Archer's dumb photo smile.
CASTOR:
Jon -- you'd be so proud ...
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Face\Off" Scripts.com. STANDS4 LLC, 2025. Web. 11 Jan. 2025. <https://www.scripts.com/script/face\off_457>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In