Face\Off Page #14

Synopsis: Obsessed with bringing terrorist Castor Troy (Nicolas Cage) to justice, FBI agent Sean Archer (John Travolta) tracks down Troy, who has boarded a plane in Los Angeles. After the plane crashes and Troy is severely injured, possibly dead, Archer undergoes surgery to remove his face and replace it with Troy's. As Archer tries to use his disguise to elicit information about a bomb from Troy's brother, Troy awakes from a coma and forces the doctor who performed the surgery to give him Archer's face.
Genre: Action, Crime, Sci-Fi
Production: Paramount Pictures
  Nominated for 1 Oscar. Another 11 wins & 21 nominations.
 
IMDB:
7.3
Metacritic:
82
Rotten Tomatoes:
92%
R
Year:
1997
138 min
1,778 Views


EXT. TRANSAMERICA-TWO BUILDING -- DAY

CASTOR'S eating up the attention of the REPORTERS.

REPORTER:

Commander Archer -- who

do you think planted it?

CASTOR:

That's classified. But

if he's listening I have

a message for him: Nice

try. Now you know who's

really in charge.

BACK TO ARCHER:
Totally enraged. And totally powerless.

Then his eyes focus ... he watches closely as --

A GUARD uses his "Thumbprint ID" to get through the SECURITY

DOORS. Archer's eyes fall on the THUMBPRINT SCAN-PAD.

EXT. NSA COMPOUND -- CHECKPOINT -- DAY

As Castor presses his thumb into the scanner.

CASTOR:

How's the wife -- Ed?

ED:

(signals "gate up")

Fine, Commander.

INT. NSA -- BULLPEN -- DAY

Castor enters. Some workers nod, some give a "thumbs up,"

some smile -- but no one stops working. They know better

than to react, much less applaud.

CASTOR:

Don't you guys watch TV?

Where's the parade?

They look at each other -- afraid. But proud rookie LOOMIS

starts clapping, so everyone else joins in rousing applause.

CASTOR (cont'd)

-- Buzz, uh -- Wanda, Loomis

... all of you, thanks from

the bottom of my black heart.

WANDA:

Stop the presses -- Jon Archer

found a personality ...

He grins and heads for his office.

INT. ARCHER'S RECEPTION AREA -- DAY

CASTOR enters to find MISS BREWSTER bent over the filing

cabinet. He watches her butt until she notices.

KIMBERLY:

Oh -- Commander. I

didn't see you ...

CASTOR:

Well, I saw you -- Kim.

KIMBERLY:

Kim?

CASTOR:

That's your name, isn't it?

KIMBERLY:

You always call me Miss Brewster.

CASTOR:

Let's try to be a little less

formal from now on, shall we?

He gives her a playful slap on her rump. She's stunned.

KIMBERLY:

You've got someone in

your office.

CASTOR:

Get rid of them.

KIMBERLY:

The Admiral?

INT. ARCHER'S OFFICE -- DAY

CASTOR enters to find LAZARRO ensconced on the sofa. She's

fixated by the repeat TV coverage of the bomb being diffused.

LAZARRO:

Look at you, Jon -- at your

age -- an American hero!

(a beat)

I'd buy you a drink but I

know you'd just turn me down.

CASTOR:

Normally, I would. But today ...

Castor opens a drawer and pulls out a bottle of Jamesons and

two high-ball glasses. He expertly pours two healthy shots.

CASTOR (cont'd)

To the future, Admiral.

Yours -- and mine.

LAZARRO:

(picks up a legal pad)

Practicing our executive

signature, are we?

CASTOR takes away the pad on which he has, indeed, been

practicing Archer's handwriting.

LAZARRO (cont'd)

If I didn't know any better,

I'd say you were finally

kissing my butt ... and I

bet I know why.

CASTOR:

You're the only person in

this place who can see

right through me.

LAZARRO:

You've made us look pretty

good in the past week. And

the way you handled the press --

CASTOR:

Just following your example.

LAZARRO:

D.C.'s very high on giving

you the promotion. There's

just one problem.

CASTOR:

What's that?

LAZARRO:

Me.

(a beat)

I have doubts about your

ability to stick with what

is essentially a desk job.

CASTOR:

I had doubts too. I always

looked at a desk as though

it were a ball-and-chain.

But something happened ...

She nods -- waiting for the confession. He leans in.

CASTOR (cont'd)

I came back from a mission

and found strangers in my house.

Only they weren't strangers,

they were my wife and child.

(misty-eyed)

Five years my life was on hold.

While I chased the elusive, but

brilliant, Castor Troy. I've

earned the right to start living

again. So when I look at this --

(taps desk)

I don't see a ball-and-chain.

I see an anchor -- for me and

my family.

Castor waits as Lazarro lets the speech sink in. Then ...

LAZARRO:

You'd have to start

immediately.

CASTOR:

Done. In fact, I was

already plotting about

the best way to meet the

foreign bureau chiefs.

LAZARRO:

Jon, you're starting to

remind me -- of me.

(warm smile)

Congratulations.

LAZARRO exits. Castor eases himself into Archer's leather

chair -- he picks up a framed photo of Archer & family and

grins wide -- trying to ape Archer's dumb photo smile.

CASTOR:

Jon -- you'd be so proud ...

Rate this script:5.0 / 2 votes

Mike Werb

Mike Werb is an American screenwriter, whose writing credits include Face/Off, The Mask and the story for Lara Croft: Tomb Raider. A Los Angeles native, Werb attended Stanford. He is a UCLA Film School graduate. more…

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